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image SM 40/3/6

Reference number

SM 40/3/6

Purpose

[2] Plan of basement with alterations

Aspect

Plan of the Basement with the proposed / Alterations

Scale

to a scale of 1/8 inch to 1 foot

Inscribed

as above, Robert Knght Esqr, labelled: Coal Cellar, Scullery, Coals (twice), area (twice), Kitchen, Cellar (3 times), Servants Hall, Light, Strong Closet, Butlers bed room, Butlers pantry, Housekeeper's room, Larder, Cleaning Shoes / Knives &c, notes (by Soane) Butlers pantry / & / Bedroom in one / [illegible] ---- hereafter / with a Curtain,(?) Passage, X Qy [query] Chimney to / remain and feint pencil note (indecipherable)

Signed and dated

Lincolns Inn Fields March 2 1802

Medium and dimensions

Pen, sepia and red washes, pricked for transfer with multi-ruled and sepia wash border on laid paper (558 x 440)

Hand

Probably Henry Hake Seward (1778 - 1848)
No entry in the Soane office Day Book for 2 March 1802 but probably Henry Hake Seward, pupil and assistant May 1794 - September 1808.

Watermark

J Larking fleur de lis above cartouche with bar and below, GR

Notes

The drawing, on good paper and with a fairly elaborate border was presumably made as a presentation drawing for a meeting with Mr Knight at which Soane wrote notes on the drawing. The new work is largely to do with extending the back of the house so as to provide accommodation for the housekeeper and for the the butler. The quarters for the latter were to be combined in one room and a curtain provided but the drawing that follows, dated a month later, shows the same design as before.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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