[67] Preliminary alternative design for Mausoleum

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Public buildings
  - London: Dulwich Picture Gallery, Southwark for the Governors of Dulwich College, 1811-1813 (108)
    - Alternative designs for the west front and Mausoleum, April to July 1812 (13)

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Reference number

SM volume 60/183

Purpose

[67] Preliminary alternative design for Mausoleum

Aspect

Perspective of Mausoleum

Scale

Signed and dated

datable to May 1812

Medium and dimensions

Pencil, sepia, rose madder genuine and burnt sienna washes, shaded on wove paper (309 x 447)

Hand

Soane office

Watermark

not visible

Notes

The perspectives show further designs for the decoration of the Mausoleum. SM 65/4/45 is more elaborate with sarcophagi crowning the three projecting porches, a single urn mounted on the top of the lantern and seated lions at the top corners of the lantern. There is also a feint pencil sketch in the top left hand corner, of what looks to be a section of the lantern. This drawing and SM 65/4/46 are very similar showing the Mausoleum with urns at the lantern corners and three Roman altars at the base. However there are slight variations. This drawing has volutes at the corners of the canopied dome and SM 65/4/46 has a pinnacle crowning the lantern. There is a feint pencil sketch on the margin of SM 65/4/46 of what seems to be a decorative detail for the mouldings.

Literature

F. Nevola, Soane's favourite subject: the story of Dulwich Picture Gallery, 2000, pp. 82 & 189

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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