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  • image SM 63/6/54
Drawing. SM 63/6/54. ©Sir John Soane's Museum, London. Photo: Ardon Bar-Hama

Reference number

SM 63/6/54

Purpose

[6] Preliminary design for a monument, with a sarcophagus and scrolled acroterion, 1815

Aspect

Elevation of design similar to verso of SM 63/6/51 and rough details of ornament

Scale

bar scale of 1 inch to 1 foot, approximately

Inscribed

(Bailey) Sketch of a Monumental Tablet to the memory of the Viscount Bridport

Signed and dated

  • (Bailey) 1816 but datable to early 1815

Medium and dimensions

Pencil and pen on wove paper (335 x 527)

Hand

attributed to Soane, and titles added later by George Bailey (Soane Museum curator, 1837-60), inscriptions on versos by Robert Baldwin (fl.1762-c.1804)

Notes

The verso of this drawing shows developing designs for a monument in the form of a sarcophagus.

In a letter dated 14 May 1815, Lady Bridport thanked Soane for his recent letter enclosing a proposed design, 'which as a drawing I greatly admire, but I am not certain that when executed for the church, it would quite suit my ideas; indeed in this undertaking I wish to be entirely satisfied' (Priv. Corr. XIII.H.28). This drawing shows the design to which she refers. The sarcophagus is surmounted by a feature composed of two S-shaped scrolls, incorporating paterae and foliage and capped by a shell. The drawing has an escallop between the scrolls and an imaginative arrangement of naval trophies, including flags, cannons and clouds of gun smoke behind the stern of a battleship. The acroterion as capped with a palm leaf-ornament is included as a rough design in the margins of this drawing

The drawing shows an apron below the sarcphagus.

The date inscribed by George Bailey was added after the drawing was completed, probably when Bailey served as Soane Museum curator from 1837 to 1860, and in these cases Bailey's dates are inaccurate.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).