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Designs for a chimneypiece for the hall, and a vase to stand in the chimneypiece, 1766 and 1778 (2)

Notes

The frieze for the chimneypiece in Adam volume 22/176 corresponds with that on the walls, as seen in the laid out wall elevations for the room (Adam volume 35/13). This design was executed as a pair of chimneypieces, although one of these was removed by Barry.

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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