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image SM Adam volume 35/9

Reference number

SM Adam volume 35/9


[5] Finished drawing for a design for the house, 1759-1762


Plan of the attic storey of a house with a nine-bay central block, with the central three bays slightly projection on the principal (north) and garden (south) fronts, and flanked by the roofs of links containing semicircular courts, and three-bay pavilions


bar scale of 1/10 inch to 1 foot


Plan of the Bed Chamber of Attick Storey 14 feet high / Gawthorpe House in Yorkshire, the Seat of Edwin Lascelles Esqr (in the hand of William Adam) / Bed Cham'r / Bed Room / Landing of the Stairs / Bed Room / Bed Cham'r / Closet / Bed Room / Closet / Bed Cham'r / Bed Chamber / Landing of the Back Stairs / Closet / Passage Lighted by a Sky Light / Water Closet / Bed Closet / Bed Closet / Great Stair / antichamber / Dressing room / Dressing Closet / Bed Chamb'r / Bed Chamb'r / Closet / Bed Chamb'r / Dressing room / Alcove / Bed / Bed Chamber / Lumber Room / Bed Cham'r / Closet / Closet / Bed Cham'r / Lumber Room and dimensions given (verso) Mr Lascelles / Gawthorpe house

Signed and dated

Rt. Adam Architect date range: 1759-62

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (921 x 577)


Adam office hand, possibly Agostino Brunias, with addition to title inscription in the hand of William Adam


Bolton, 1922, Volume II, Index p. 16
Harris, 2001, p. 134
For a full list of literature references see scheme notes.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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