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  • image SM volume 41/75 verso

Reference number

SM volume 41/75 verso

Purpose

[51] Record copy of designs for capitals for the first floor

Aspect

Capital to Columns and pilasters of Bed Chamber Floor

Scale

full size and not given

Inscribed

as above, Plan of Capital / of Column, Capitals to Pilasters / full size labelled Egg & tongues, Capital of / Column / full size / To be executed to / this Size if / the diam[ete]r of / the Column is / 1 foot, if more / to be kept to / this proportion, cornice labelled Square, Capital of Columns labelled Put the / Leaf you / have and / flutes above, Sq[uar]e, Round and Pilaster Capital labelled To range with top of Necking

Signed and dated

  • Sent to Pearce May 27th 1786

Medium and dimensions

Pen on laid paper (364 x 244) bound into 'Precedents in Architecture ' SM volume 41

Hand

John Sanders (pupil 1 September 1784-90) (52-55) John McDonnell (pupil 18 March 1786-1791).

SM volume 41/75 verso, SM volume 41/77 recto, SM volume 41/77 verso, SM volume 41/78 recto and SM volume 41/78 verso are record copies of designs for which the original drawings have mostly not survived.

Watermark

fleur-de-lis

Notes

The (column) capital has short waterleaves (gently curling at the top) clasping a fluted bell and is derived from plate XLIX of Robert Adam's Ruins of the Palace of the Emperor Diocletian at Spalatro', 1764, though with plainer leaves, less frond-like than those of Adam. A photograph (Soane Museum green box files) shows that the design was executed.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).