Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [27] Alternative design for the stables, January 1785

Browse

  • image SM 64/3/101

Reference number

SM 64/3/101

Purpose

[27] Alternative design for the stables, January 1785

Aspect

General plan, elevation of the Entrance front of the Stable Buildings at Tendring Hall and side elevation

Scale

1/9 inch to one foot

Inscribed

as above, N0 1, plan labelled Hack Stable, Strangers Coachouse, Saddle Room (twice), Garden Wall (twice), Cleang Harness, Harness &c and dimensions given

Signed and dated

  • Jan:ry 3d 1785

Medium and dimensions

Pen, sepia and light yellow washes with double ruled and black wash border on laid paper with one fold mark (442 x 560)

Hand

Robert Baldwin (fl. 1762-c.1804)

Watermark

J Whatman, fleur-de-lis above cartouche with bar and below, ornate W

Notes

The drawing, dated 3 January 1785, follows the first contract drawing for the stables of May 1784 (drawing 7 q.v.) that has a courtyard plan, 85 feet by 113 feet, which is basically a circle interrupted by three rectangular buildings. The later design here has a circle interrupted by three rectangular buildings and two small square ones. The layout and dimensions of the three rectangular buildings are much the same but the addition of two square pavilions (15x15 feet) flanking a screen with a triple gate allows for a more imposing entrance and, in the same spirit, a domed clock tower had been added to the central building.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).