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  • image SM 28/2/14

Reference number

SM 28/2/14

Purpose

[23] Variant 'first Design' for kitchen offices, 1785

Aspect

Plan and four elevations

Scale

to a scale

Inscribed

(Sanders) Plan and Elevations of the Offices at Tendring Hall, labelled (? Baldwin) Section on the Line F.G., E.E. if the flues are brought / over from the Office building / into the West Wall of the / House in the walls E E they are to / be 1:10½ thick if the flues / cannot be in them, then / they are to be 1.1½ thick, Ga:[uged] Arch, Ro:[und] Arch (twice), Sett off to the house, Floor of the Room of the Basement Story of the House, Floor of the Room B.B.D, Paving in Court C, Floor of the Chambers over the Rooms &c BB, Floor of Room A, Level of the Ground in the North front, Leave two flues, To be covered with blue Pantiles, Pump, Supposed line of the Ground in its / present state, Ground in its / present state, (plan) No room over this, Leave two flues, Wood col:[umn] (twice),1.10½ for the flue and dimensions given (verso, Baldwin) Tendring Hall / Kitchen Offices / According to the first Design

Signed and dated

  • datable to 1784-5

Medium and dimensions

pen, light red and sepia washes, pencil on coarse laid paper with three fold marks (604 x 494)

Hand

Baldwin ?

Notes

The inscription on the verso states that this scheme for the kitchen offices is 'according to the first Design'. The ill-spaced out drawing with carefully added dimensions was made by Baldwin at a stage between January 1784 when SM 28/2/3 and SM 28/2/4 were made and 1785 when drawings SM 28/2/18 and SM 28/2/16 were made. So that this drawing (SM 28/2/14) has, for example, the shallower, semicircular court and narrow detached building of the later designs. The east elevation towards the house has the columned, loggia-like front indicated on drawings SM 28/2/3 and SM 28/2/4 and not executed.

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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