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  • image SM 28/3/3

Reference number

SM 28/3/3

Purpose

[7] First contract drawing, May 1784

Aspect

Plan and four elevations for Design for the Stables Coachouses &c at Tendering Hall, Suffolk

Scale

bar scale of 1/15 inch to one foot

Inscribed

as above and Stables Court 85 Feet by 113 feet, Harness (twice), Dung (4 times), Saddles (4 times), Coachouse (3 times), Court (twice) and some dimensions given

Signed and dated

  • J Soane Archt and May 1784

Medium and dimensions

pen, sepia, blue-grey and pink washes, pencil within double ruled and black wash border on laid paper (470 x 590)

Hand

Robert Baldwin (fl.1762-c.1804)

Watermark

J Whatman, fleur-de-lis above cartouche with bar and below, ornate W

Notes

There are 14 drawings for Tendring Hall at the Victoria and Albert Museum (see P. du Prey, Sir John Soane, 1985, in series of 'Catalogues of architectural drawings in the Victoria and Albert Museum', catalogue 103-116. One of these (catalogue 108), a plan of the ground floor and three elevations, is dated 3 May 1784 and, inscribed 'First Design', presumably preceded SM 28/3/1.

Five of the V&A drawings are dated (or datable to) December 1784 when it seems that a second set of contract drawings with revisions was made see note to following drawing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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