[3] Preliminary design for alterations to the house, unexecuted, October 1778

Explore Collections

You are here: CollectionsOnline / [3] Preliminary design for alterations to the house, unexecuted, October 1778

Browse

Robert and James Adam office drawings
- Country houses
  - Weald Hall, Brentwood, South Weald, Essex: designs for alterations to the house, a cottage, dog kennels, and interior decoration for Thomas and Christopher Tower, 1778-1779 (21)
    - Designs for a cottage, dog kennels, and alterations to the house (7)
      - Preliminary designs for alterations to the house, unexecuted, October 1778 (3)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 41/35

Purpose

[3] Preliminary design for alterations to the house, unexecuted, October 1778

Aspect

Elevation of the south front of the house, showing a two-storey, eleven-bay building with a hipped roof, a frieze of swags, and a portico of six giant Ionic columns supporting a pediment, with pencil-drawn annotations

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

A Design of the South front of Weald Hall in Essex for _ Towers Esqr (in a later hand) / Plain / Plain / half (in pencil) and some dimensions given

Signed and dated

October 1778
datable to October 1778

Medium and dimensions

Pen and pencil on laid paper (507 x 345)

Hand

Adam office hand, possibly Robert Morison, with title inscriptions in the hand of William Adam

Watermark

JWHATMAN

Literature

Bolton, 1922, Volume II, Index p. 30
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).