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image SM 6/4/2

Reference number

SM 6/4/2


[55] Alternative new design for additions


Plan of ground floor and surrounding area


W.R.Cartwright Esqre, No 2, Plan of the Alterations of / The Ground Floor of Aynho, The dark teints are the old Building / The light teints are the New, labelled: Withdrawing Room / 33 by 22, Library / 26 ft Clear of Shelves, North Drawing Room / 33 by 22, Vestibule, Figures for lamps, and (old house) Eating Room, Great Stair, Servants / Stair, Billiard Room, Corridor, Closet, Gentlemans / Dressing Room, Saloon, Mr Cartwrights Room and (arrows labelled) Confined Views, Good View, GV (4 times), Bad View, Supposed Roadway, Screen Wall, Offices, Plantation and with a north point

Signed and dated

Copy Lincolns Inn Fields Decr 30 1800

Medium and dimensions

Pen and sepia washes on wove paper (543 x 723)


There is no entry for Aynho in the Soane office Day Book for 30 December 1800. The hand is not that of Thomas Sword who drew drawing [54].


Labelled 'No 2' it is assumed that this design (copied on 30 December 1800) was made after drawing [54] (copied on1 Janaury 1801). Both drawings have the entrance on the west side and, oddly, it leads into the library which is flanked by a drawing room on either side. The new offices are simialrly partly detached from the house.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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