[26] Finished drawing for the section of a prison building for Edinburgh Bridewell, 1791, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Bridewell, Edinburgh: designs for a group of prison buildings, 1790-91, executed in part (32)
    - Variant design for a castle-style bridewell scheme, 1791, unexecuted (4)

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Reference number

SM Adam volume 33/15

Purpose

[26] Finished drawing for the section of a prison building for Edinburgh Bridewell, 1791, unexecuted

Aspect

Longitudinal section through a prison building showing a four-storey, domed chamber with flanking wings. The central chamber is divided into a series of cells with railings on each storey, with four rows of pews on the ground storey. There are openings in the gutters between the central dome and flanking range to collect rainwater. The different coloured washes denote the building materials

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

Section from East to West through that part of the Bridewell as Estimated, to be done in the plainest manner with some dimensions

Signed and dated

1790-91
datable to 1790-91

Medium and dimensions

Pen, pencil, wash and coloured wash including lemon yellow and pink within a ruled border on laid paper (572x472)

Hand

Possibly
Adam office hand, possibly Robert Morison, John Robertson, or John Paterson

Literature

Bolton, 1922, p. 11
King, Vol. 2, 2001, p. 54
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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