[9] Finished drawing for an axial section through a group of prison buildings for Edinburgh Bridewell, 1790-91, unexecuted

Explore Collections

You are here: CollectionsOnline / [9] Finished drawing for an axial section through a group of prison buildings for Edinburgh Bridewell, 1790-91, unexecuted

Browse

Robert and James Adam office drawings
- Public buildings
  - Bridewell, Edinburgh: designs for a group of prison buildings, 1790-91, executed in part (32)
    - Designs for a classical-style bridewell scheme, 1790-91, unexecuted (9)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 33/24

Purpose

[9] Finished drawing for an axial section through a group of prison buildings for Edinburgh Bridewell, 1790-91, unexecuted

Aspect

Elevation and part-section of a group of two-storey prison buildings arranged around two courtyards. In the centre is the main prison building with a steeple with a conical roof and weathervane, with two protruding cell blocks with loggias shown in section. Flanking this building are more cell blocks with an arcaded loggia, shown in section at the ends with pitched roofs, connected to the infirmary and bedlam blocks by single-storey walls

Scale

bar scale of 1/2 an inch to 10 feet

Inscribed

Section through the new Bridewell from A to B on the Plan. / (and in the hand of William Adam) for Edinburgh ~ / [_ _ _] / (in pencil) 2 / (verso) 2

Signed and dated

1790-91
1790-91

Medium and dimensions

Pen, pencil, wash and coloured wash including lemon yellow and pink on laid paper (484x266)

Hand

Possibly
Adam office hand, possibly Robert Morison, John Robertson, or John Paterson

Watermark

Portal & Bridges

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).