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image SM 6/4/27

Reference number

SM 6/4/27

Purpose

[49] Working drawing for library, anti room and offices behind including the housekeeper's room

Aspect

Plan titled Design for part of the (ground floor) Additions to Aynho and (verso) west-east section as drawing [43] recto

Scale

bar scale of ¼ inch to 1 foot (verso) as recto

Inscribed

as above, W.R.Cartwright Esqre, labelled Strong Closet, The Recess in Library, Vestibule, Library, Anti Room. Staircase, Plate Closet, Bed, Working Room, Butler, Dress., Still Room, Passage to Mr Cartwrights Room, Lobby, Fanlight / over / new door, The Housekeepers Room, Kitchen Court, Game Larder, Dry Larder, Wet Larder and dimensions given (verso) Passage, a few dimensions given (pencil) old offices, Door --- / Butlers / Room and Mr Cartwrights bedroom ,

Signed and dated

1800

Medium and dimensions

Pen, red and sepia washes, partly pricked for transfer (697 x 565)

Hand

Attributed to Henry Hake Seward (1778 - 1848)
Pupil and assistant May 1794 - September 1808.

Notes

The plan for the housekeeper's room accords with drawing [46] and the library plan corresponds with that on drawing [48]. Next to the housekeeper's room, and with the only access, is the 'Still Room' probably a store room for preserves and the like rather than a distillery. Drawing [60] is a design for a brewery.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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