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  • image SM D3/3/2

Reference number

SM D3/3/2

Purpose

Lansdowne House, Berkeley Square, Westminster, c.1788-94

Aspect

[7] Front elevation with two sculpted figures or stelæ and flanking bookcases in seven tiers, and side-elevation of sculpted figure and bust of Minerva

Scale

to a scale

Signed and dated

  • c.1788-94

Medium and dimensions

Pen, pencil, sepia, burnt umber, Indian red, burnt sienna and (books) coloured washes, shaded on laid paper (330 x 505)

Hand

Dance

Watermark

J. Whatman (cut)

Notes

Of the three chimney-piece drawings, only this one shows the batter to the inside of the jambs that give a pylon-like form.

REPRODUCED. D. Stillman, 'The Gallery for Lansdowne House', Art Bulletin, LII, 1970, pp.75-80, fig.14; Soane: Connoisseur & collector, catalogue of an exhibition at the Soane Museum, 1995, fig.33; J. Hardy, 'The Homeric bas-relief at Lansdowne House', Christie's International Magazine, June/July 1995, p.72; I. C. Bristow, Architectural colour in British interiors 1615-1840, 1996, fig.175.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).