[3] Finished drawing for the second floor of the assembly rooms, c.1787, unexecuted

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Robert and James Adam office drawings
- Public buildings
  - Edinburgh Assembly Rooms, 54 George Street, Edinburgh: designs for alterations to the Assembly Rooms, c.1787, unexecuted (7)

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Reference number

SM Adam volume 31/38

Purpose

[3] Finished drawing for the second floor of the assembly rooms, c.1787, unexecuted

Aspect

Second floor plan comprising the upper levels to the reception rooms shown in SM Adam volume 31/37 with an orchestra set within the gallery of the tea room dome, retiring rooms over the principal staircases and servants rooms and water closets above the bars. The black and grey washes denote the existing structure (grey) and proposed alterations (black)

Scale

bar scale of 5/8 of an inch to 10 feet

Inscribed

Plan of the Attick Story / Card Room / continued / Tea room / continued / Card / room / continued / Orchestra / Retiring room / for Ladies / Lobby / Lobby / Retiring room / for Gentlemen / Maid Serv^ts room / Water / Closet / Men Servants room / Water Closet / Ball room continued with some room dimensions / (verso) 6 / (in a different hand) This to be placed Seventh / (in a different hand) 6 / Assembly Rooms Edinburgh

Signed and dated

c.1787
datable to c.1787

Medium and dimensions

Pen, pencil and wash on laid paper within a ruled border (331x518)

Hand

possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

J WHATMAN

Literature

Bolton, 1922, p. 10
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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