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  • image SM 6/4/10

Reference number

SM 6/4/10

Purpose

[36] Design by Soane for west front to library

Aspect

Elevation

Inscribed

W R Cartwright Esqre / Aynho

Signed and dated

  • 20/04/1800

Medium and dimensions

Brown pen, pencil, hatching on wove paper (331 x 565)

Hand

Sir John Soane RA (1753 - 1837)

Notes

A two storey elevation with pediment. Six pilasters divide the front vertically into five un-equal bays. In the centre, an added (pencil) niche between two narrowly spaced pilasters, either side are round headed doors and at each end a square-headed niche. The three centre bays of the upper storey are crowned by a pediment. The upper storey has two window and two, square and sunk tablets.
Ptolemy Dean writes of this elevation: 'Ingeniously, in Soane's rebuilding [of Thomas Archer's elevation] the central band of masonry was split into two, creating a central recess in effect a third bay. The handling of line and plane in the ashlar stonework is especially sympathetic towards the effects of light and shade and are, in their way, amongst Soane's finest elevations anywhere.' P.Dean, Sir John Soane and the country estate, 1999, p.84.

Soane worked on the drawings [36] to [38] on a Sunday.

Level

Drawing

Exhibition history

Soane Revisited, Sir John Soane's Museum, London, March - August 1996

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).