[3] Design for the second floor and garret of a house, 1791, unexecuted

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Robert and James Adam office drawings
- Country houses
  - House of the Bush, Midlothian: designs for a house and stables for Robert Trotter, 1791, executed in part (9)
    - Designs for a house and stables (3)

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Reference number

SM Adam volume 35/89

Purpose

[3] Design for the second floor and garret of a house, 1791, unexecuted

Aspect

Upper: Roof and garret plan of a house comprising a rectangular building with corner turrets. The roof is hipped. In the centre is a large circular room with three windows, and a rear staircase Lower: Second floor and roof plan of a house and service range. The house comprises a series of bedrooms arranged around a central circular room and staircase, with four corner turrets. The roofs to the service range are pitched

Scale

to a scale

Inscribed

(In pencil) Right copy / (verso) no 6 / Trotter Esqr right [_ _ _]ies

Signed and dated

30/12/1791
Edin^g 1791 / datable to 30/12/791

Medium and dimensions

Pen and pencil on laid paper (247x493)

Hand

possibly
Adam office hand possibly Robert Morison or John Robertson

Watermark

GR surmounted by a fleur de lis within a crowned cartouche

Literature

Bolton, 1922, p. 5
King, volume 1, 2001, pp. 394, 406
King, volume 2, 2001, p. 161
Further literary references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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