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image SM Adam volume 46/148

Reference number

SM Adam volume 46/148

Purpose

[5] Finished drawing for a lodge, c1777

Aspect

Plan, elevation of principal front, and section of a circular building, containing two elliptical rooms, one of which has a staircase at the rear, the other a closet, and with two short wings to either side, and a portico on the principal front, and blind portico on the rear front. The elevation of the principal front shows a portico of four Tuscan columns, carrying a pediment with an oculus in the tympanum, and windows with leaded lights. The drum has a steep thatched pyramidal roof with a central chimney-stack, and the wings have pitched roofs. The section shows the basement, ground, and attic floors

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

Section of the Lodge showing the two Rooms / on the Ground floor and Cellar under one of them / Elevation of a Lodge on the side of the Road to His Grace the Duke of Bolton's / House at Hackwood in Hampshire / Closet / Lodge / Bed room / Entry / Porch and some dimensions given [-----] moved / 13 ovals in Drawing room / £28 each (in pencil in the bottom left-hand corner)

Signed and dated

datable to c1777

Medium and dimensions

Pen, pencil and coloured washes, watercolour technique, shaded within a single ruled border on laid paper (484 x 700)

Hand

Adam office hand, possibly Joseph Bonomi, and inscribed by Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 15
King, 2001, Volume II, p. 253
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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