[4] Finished drawing for the second storey of a house, 1788, executed to a variant design

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Robert and James Adam office drawings
- Country houses
  - Balhazy or sometimes known as Barholm House, Creetown, Dumfries and Galloway: designs for a house for John McCulloch, executed to a variant of these designs, c.1787-88 [8]

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Reference number

SM Adam volume 30/117

Purpose

[4] Finished drawing for the second storey of a house, 1788, executed to a variant design

Aspect

Plan of the bed chamber storey (second storey) comprising a central block containing five bed chambers and a staircase with the roofs of two flanking wings. There is a canted bay to the rear of the central bed chamber

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the Bed Chamber Story (and in William Adam’s hand) for John MacCulloch Esqr / Bed Chamber / Bed Chamber / Bed Chamber / Bed Chamber / Bed Chamber / with some room dimensions and illegible pencil annotations. [Verso] 6

Signed and dated

29 March 1788
Albermale Street / 29 March 1788

Medium and dimensions

Pen, pencil and wash within ruled border on laid paper (475x276)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

Portal & Bridges

Literature

Bolton, 1922, II, Index, p. 3
Rowan, 1985, pp. 68-69
Further literature references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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