[8] Finished drawing for a house, 1788, executed to a variant design

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Robert and James Adam office drawings
- Country houses
  - Balhazy or sometimes known as Barholm House, Creetown, Dumfries and Galloway: designs for a house for John McCulloch, executed to a variant of these designs, c.1787-88 [8]

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Reference number

SM Adam volume 30/114

Purpose

[8] Finished drawing for a house, 1788, executed to a variant design

Aspect

Longitudinal section showing a two-storey building with a garret level and flanking single-storey wings over a full-height basement. The section shows a full-height central staircase in the main house with two additional staircases in the flanking wings. The pavilions have tall Venetian windows on the ground floor and Diocletian windows at basement level. The masonry and carpentry of the building structure are denoted by colour

Scale

bar scale of 1 inch to 10 feet

Inscribed

Section through the House Corridores [_ _ _ _ _] / (and in the hand of William Adam) for John MacCulloch Esqr / with some room dimensions and illegible annotations. [Verso] 1

Signed and dated

29 March 1788
Albermale Street / 29 March 1788

Medium and dimensions

Pen, pencil and lemon yellow and pink coloured washes on laid paper (477x300)

Hand

Possibly
Adam office hand, possibly Robert Morison or Daniel Robertson

Watermark

Portal & Bridges

Literature

Bolton, 1922, II, Index, p. 3
Rowan, 1985, pp. 68-69
Further literature references in scheme notes

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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