[37] Design for an overmantel mirror frame for the second library, 1779, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Roxburghe House, Hanover Square, London, designs for a house and interiors for John Ker, 3rd Duke of Roxburghe, c1775-79 (55)
      - Design for an overmantel mirror frame for the second library, 1779, possibly executed (2)

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Reference number

SM Adam volume 20/217

Purpose

[37] Design for an overmantel mirror frame for the second library, 1779, possibly executed

Aspect

Elevation of a tripartite, overmantel mirror frame with fluted stiles. The central compartment has a semi-circular head flanked by winged half-figures supporting festoons of husks. Above this there is a central roundel depicting a putto, and this is surmounted by an anthemion. The top of each compartment is ornamented with a semi-circular-headed band, and are surmounted by foil with trefoil pinnacles

Scale

bar scale of 1 ¼ inches to 1 foot

Inscribed

Chimney Glass for the second Library room at Roxburghe House / 217 / new (pencil) / new (pencil)

Signed and dated

September 1779
Adelphi / 25.t Sep.r 1779.

Medium and dimensions

Pen, pencil and coloured washes including cerulean blue, pink and Indian yellow on laid paper (298 x 446)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

Literature

Bolton, 1922, Volume II, Index p. 40
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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