[43] Unfinished design for a chimneypiece for the second drawing room, c1772, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - St James's Square, number 20, London, designs for a house and interiors for Watkin Williams-Wynn, c1772-1777 (99)
      - Unfinished designs and a design for a chimneypiece and tablet for the second drawing room, c1772 (3)

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Reference number

SM Adam volume 23/11

Purpose

[43] Unfinished design for a chimneypiece for the second drawing room, c1772, unexecuted

Aspect

Elevation of a chimneypiece with the lining bordered with reed and ribbon, and with Corinthian column stiles wrapped in vines. The columns are flanked by Corinthian pilasters ornamented with masks, drop calyx, and rosettes. The capitals contain urns and panels depicting draped figures. There is a central figurative tablet, with alternative friezes to the left and right. On the left-hand side the frieze is ornamented with ox skulls and swags, and on the right-hand side with half-putti and arabesques. Above the frieze there are bands of dentils and laurel leaf tips

Scale

bar scale of 1 ¾ inches to 1 foot

Inscribed

Chimney Piece for the Second Drawing room at Sir Watkin Wynn’s in S.t James’s Square / not right / 11

Signed and dated

c1772
c1772

Medium and dimensions

Pen and pencil on laid paper (408 x 292)

Hand

Possibly
Office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 49
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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