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  • image SM Adam volume 17/181

Reference number

SM Adam volume 17/181

Purpose

[50] Unfinished design for a carpet for the second drawing room, 1773, possibly executed

Aspect

Plan of a carpet for a rectangular, apsidal-ended room. The central section is ornamented with rosettes set within circular fans embellished with acorns, and by compartments containing rosettes surrounded by acanthus leaves, and this is set within lozenges and wreaths surrounded by anthemia. The compartments are separated by panels containing flora set within ovals, and these are flanked by arabesques and rosettes. The apsidal ends are ornamented with a part-patera, set within a fan embellished with acorns, and this is bordered by calyx supporting anthemia set within semi-circular-headed bands

Scale

bar scale of ½ inch to 1 foot

Inscribed

Design of a Carpet for the Second Drawing Room / at Sir Watkin Wynn’s in S.t James’s Square / Part of the floor of the Room where the Chairs & Sopha’s are placed- / 19 / 181 (pencil)

Signed and dated

  • August 1773
    Adelphi August 24.t 1773.

Medium and dimensions

Pen, pencil, wash and coloured washes including olive green, pink, Indian red, Indian yellow and Payne’s grey on laid paper (578 x 426)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi

Literature

Bolton, 1922, Volume II, Index p. 50
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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