[9] Design for a house and for the first storey of a house, 1783

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Robert and James Adam office drawings
- Country houses
  - Cobham (possibly The Mount), Surrey, variant designs for a house and additions for William Saltonstall, 1782-3, unexecuted (9)
    - Designs for the principal front, ground and first storeys of a house, 1783, unexecuted (2)

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Reference number

SM Adam volume 45/51

Purpose

[9] Design for a house and for the first storey of a house, 1783

Aspect

Above- Axial section of a two-storey building, with a pitched roof and a Tuscan portico surmounted by a balustrade to the south. There is a central space on the ground and first storeys, which links to flanking rooms with curved walls. To the north there is a curved staircase connecting to the ground and first storeys Below- Plan of the first storey of a five-by-three-bay building, with a balustraded balcony across the central three bays of the south front. Within, to the east and west, there are two apsidal bedrooms with bow windows, and these are separated by a central square space flanked by irregularly shaped rooms with concave walls. To the north there is a curved staircase which also links to a T-shaped block, and there is a further rectangular block to the rear

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

Section / Bed Chamber Story and some dimensions given

Signed and dated

May 1783
17.th May. 1783

Medium and dimensions

Pen and pencil on laid paper (291 x 473)

Hand

Possibly
Office hand, possibly Robert Morison

Literature

Bolton, 1922, Volume II, Index p. 7
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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