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  • image SM Adam volume 37/98

Reference number

SM Adam volume 37/98

Purpose

[6] Alternative design for a house, c1785, unexecuted

Aspect

Elevation of a three-storey, eleven-bay building, with a part-sunken basement. The central three bays are projecting, with quarter-height windows at the basement-storey level. At the ground- and first- storey level there are three-quarter-height windows, with half-height windows at the second-storey level, and these are set within relieving arches. In the upper register there are cross-shaped windows, and these are flaked by minor turrets with slit windows. The flanking three bays are two storeys in height, with projecting porticos at the ground-storey level. The left-hand portico contains a stepped entrance, the right-hand portico contains a window, and both are set within relieving arches flanked by turrets containing slit windows, with cross-shaped windows above. The first-storey level contains lancet windows. The building terminates in projecting, square turrets with quarter-height windows at the basement-storey level, full-height windows set within relieving arches at the ground-storey level, and three-quarter-height windows at the first-storey level. At the second-storey level there are half-height windows, and the turrets are surmounted by castellated, pitched roofs bearing weather vanes, and flanked by minor turrets with slit windows

Scale

bar scale of 1 inch to 10 feet

Inscribed

Another Elevation for James Macpherson Esqr at Putney Common (in the hand of William Adam, underwritten in pencil)

Signed and dated

  • c1785
    c1785

Medium and dimensions

Pen, pencil and wash on laid paper (464 x 303)

Hand

Possibly
Office hand, possibly Robert Morison, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 26
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).