[3] Design for the first storey of a house, c1790, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Ninewells, Berwickshire, designs for a house for Joseph Home, c1790, unexecuted (5)
    - Designs for a house, c1790, unexecuted (5)

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Reference number

SM Adam volume 36/112

Purpose

[3] Design for the first storey of a house, c1790, unexecuted

Aspect

Plan of the first-storey level of a five-by-three-bay building. The rooms to the south include a central drawing room with a bow window, and beyond this there is a passageway which links to flanking bedrooms. To the north there is a dog-legged staircase, and this is surrounded by bedrooms and a dressing room

Scale

bar scale of 1 inch to 10 feet

Inscribed

Plan of the One Pair Story of Ninewells house for Joseph Home Esquire / Bed Room / Drawing Room / Bed Room / Passage (pencil) / Bed Room / Bed Chamber / Dressing room / Servants Bed room / Closet / Copy this in Imperial (?) (pencil) and some dimensions given

Signed and dated

c1790
c1790

Medium and dimensions

Pen and pencil on laid paper (465 x 239)

Hand

Possibly
Office hand

Literature

Bolton, 1922, Volume II, Index p. 24
King, 2001, Volume II, p. 132
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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