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  • image SM Adam volume 53/47

Reference number

SM Adam volume 53/47

Purpose

[44] Record drawings for friezes for the saloon, drawing room, oval room and bow window room, ND, possibly executed

Aspect

Saloon – Elevation of a frieze ornamented with calyx supporting urns embellished with gadrooning, guilloche and ram masks supporting festoons of husks. The urns alternate with rosettes and arabesques supporting anthemia and all this is linked by further festoons of husks Saloon- Elevation of a frieze ornamented with rosette roundels and festoons of husks Drawing room – Elevation of a frieze ornamented with calyx supporting an urn embellished with gadrooning, busts of sphinxes and acanthus leaves. The urns are flanked by pedestals ornamented with masks bearing drop calyx and the pedestals support calyx, arabesques and rosettes. All this is linked with festoons Oval room – Elevation of a frieze ornamented with rosettes flanked by calyx Bow window room – Elevation of a frieze ornamented with festoons of calyx and peltoid shields containing calyx

Scale

to a scale

Inscribed

Saloon (underwritten in pencil) / Saloon (underwritten in pencil) / Drawing room (underwritten in pencil) / faint pencil inscription / Oval Room / Oval Room and Drawing Room (pencil) / Bow window room (underwritten in pencil) / 47.

Signed and dated

  • ND
    ND

Medium and dimensions

Pen and pencil on laid paper (293 x 472)

Hand

Possibly
James Adam

Literature

Bolton, 1922, Volume II, Index, p. 21
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).