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  • image SM Adam volume 39/32a

Reference number

SM Adam volume 39/32a

Purpose

[13] Design for the first storey of a building, 1766, unexecuted

Aspect

Plan of the second storey of a thirteen-by-five-bay building with a portico across the central five bays of the principal front. The central three bays of the remaining facades form bow windows, with the rear bow set behind a colonnaded screen. Within, centre-right, there is a dog-leg staircase with an additional smaller staircase to the left. The central rear room has an apsidal end which mirrors the bow window. A further apsidal room with a bow front is positioned on the right-hand side of the building. Flanking the principal building there are curved link blocks and additional buildings as SM Adam volume 39/32

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

Principal Story / of a new Design for Luton Park one of the seats of the Earl of Bute (in the hand of William Adam, underwritten in pencil) / 34 (pencil) / Bed Room / Bed Room / Bed Room / Servants Room / Servants Room / Servants Room / B rooms / Brew house continued / Servants Room / Servants Room / Servants Room / Servants Room / Bed Room / Bed Room / Bed Room / Servants Room / Servants Room / Servants Room / Servants Room / Kitchen Continued / Servants Room / Servants Room and some dimensions given

Signed and dated

  • December 1766
    27 December 1766

Medium and dimensions

Pen and pencil on laid paper (712 x 468)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi or William Hamilton, with part title inscription in the hand of William Adam

Verso

2

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index, p. 21
Russell, 1992, pp. 44-47
King, 2001, Volume II, pp. 85, 131
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).