[18] Design for the roof of a house, 1786, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Hill House, Putney Heath, three schemes for Sir Samuel Hannay, 3rd Bt., c1786-7, unexecuted (25)
    - Second scheme for Hill House, Putney, c1786
      - Designs for a house, c1786, unexecuted (7)

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Reference number

SM Adam volume 35/69

Purpose

[18] Design for the roof of a house, 1786, unexecuted

Aspect

Plan of the roof of a five-by-three-bay building. The central rectangular block has pitched roofs to the east and west, and there is a central light-well formed with conical oculi. The roof line extends to the north and south, with semi-conical roofs

Scale

to a scale

Inscribed

Plan of the Roof of the House on Putney Heath / for Sir Samuel Hannay Bart- (in the hand of William Adam, underwritten in pencil)

Signed and dated

October 1786
Albemarle Street / 25.t Oct.r 1786-

Medium and dimensions

Pen, pencil and wash on laid paper (305 x 492)

Hand

Possibly
Office hand, possibly Robert Morison, with title inscription in the hand of William Adam

Verso

No 8 / No 12 (in the hand of William Adam) / (obscured where affixed) [No 8 The]se Plans go in 12th into the book

Watermark

GR surmounted by a fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index, p. 26
King, 2001, Volume II, pp. 80-1, 109, 127, pl. 127
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).