[20] Design for the east front of a house, c1786, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Hill House, Putney Heath, three schemes for Sir Samuel Hannay, 3rd Bt., c1786-7, unexecuted (25)
    - Second scheme for Hill House, Putney, c1786
      - Designs for a house, c1786, unexecuted (7)

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Reference number

SM Adam volume 35/63

Purpose

[20] Design for the east front of a house, c1786, unexecuted

Aspect

Elevation of a two-and-a-half-storey, three-bay pedimented building, with a part-sunken basement. At the ground-storey level there is a stepped, central aedicule entrance, articulated by Tuscan columns, with a frieze of fluting and roundels. This is flanked by balustraded windows, and with full-height windows at the first-storey level, and third-height windows in the upper register. To the south there is a semi-rotunda, as SM Adam volume 35/62. To the north there is a further semi-rotunda, with a Tuscan porte cochère surmounted by a balustrade, and with ramps flanked by wrought-iron pedestals supporting lamps

Scale

bar scale of 1 inch to 10 feet

Inscribed

Elevation of the East end of Hill house, for Sir Samuel Hannay Baronet. / no. (cropped) / faint pencil inscription right hand side and some dimensions given

Signed and dated

c1786
c1786

Medium and dimensions

Pen, pencil and wash on laid paper (513 x 262)

Hand

Possibly
Office hand, possibly Robert Morison

Watermark

fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index, p. 26
King, 2001, Volume II, pp. 80-1, 109, 127, pl. 125
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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