There is one anomaly associated with these drawings. The elevation (Adam volume 42/34) is signed and dated Adelphi / Janry 24t. 1777, while the principal (ground) storey plan (Adam volume 42/35) is dated on the verso 1770. This disparity of dates is further confused by the fact that the Adam brothers did not move their architectural office from Lower Grosvenor Street to the Adelphi until 1772, so if the date of 1770 is correct, the drawings cannot have been made at the Adelphi. There are two possible explanations for this. First, it is possible that the date of 1770 is incorrect. Second, it is possible that the patron first commissioned the Adam brothers to make designs in 1770, and there was then a pause before further drawings were provided. This second explanation is corroborated by the fact that the plan does correspond exactly with the elevation, as one shows a Venetian window on the ground storey of the left-hand wing, while the other shows a bow, and the right-hand wing is not shown on the first-storey plan. At present it is not possible to offer a satisfactory answer to this problem.
A.T. Bolton, The architecture of Robert and James Adam, 1922, Volume II, Index pp. 55, 74; D. King, The complete works of Robert & James Adam and unbuilt Adam, 2001, Volume II, p. 121
Frances Sands, 2015
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Mr Henderson: designs for an unknown house, 1770-77 (3)
- Preliminary design and designs for alterations to an unknown house, 1770-1777, not thought to have been executed (3)