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image Image 1 for SM 47/3/24
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Reference number

SM 47/3/24

Purpose

[1] Design for a sepulchral chapel, Tyringham Hall, 15 November 1800

Aspect

Plans and elevation for a sepulchral chapel. The plan at the bottom has a rounded corner and columned portico. The plan above shows a trefoil structure with columns on three sides (four at the bottom) and a circular nave with three side chapels. Above is an elevation showing a two-tiered structure with niches at both the nave and gallery level and it is surmounted by a stepped dome. To the right are two pencil sketches of elevations for a four-columned porch surmounted by a sarcophagus

Scale

to a scale

Inscribed

For Tyring / (in pencil) altar / [_ _ _ _] / [_ _ _ _ _] / [_ _ _ _ _ _] and some calculations

Signed and dated

  • 15 November 1800
    Nov: 15: 1800

Medium and dimensions

Pen, and pencil on laid paper (406 x 294)

Hand

Probably SOANE, Sir John (1754--1837), architect

Verso

plans and elevations of a sepulchral chapel. Above is a cross-shaped plan and to the right are two further plans. Beneath to the right is a plan for a heptagonal structure with columns. The shaded elevation to the right shows a cylindrical tiered tower with columns surmounted by a dome. The elevation at the bottom shows a two-tiered structure surmounted by a dome. The first tier is square with a four-columned porched entrance. This is repeated on the sides. The second tier is circular with an arcade of columns. Above is a round dome.

Watermark

Hayes & Wise / 1800

Notes

This is a rough drawing, a preliminary idea for the plan and elevation, all drawn in freehand. As it is in Soane’s hand, and it is the earliest dated drawing this may well be the first design for the Sepulchral Chapel

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).