[8] Finished drawing for the attic storey of a house, c1783, unexecuted

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Robert and James Adam office drawings
- Projects known only by patron
  - Earl of Findlater, designs for a town house for an unknown location, possibly Portland Place, London, c1783, unexecuted (17)
    - Designs and finished drawings for the basement, ground, first and attic storeys of a house, c1783, unexecuted (10)

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Reference number

SM Adam volume 36/17

Purpose

[8] Finished drawing for the attic storey of a house, c1783, unexecuted

Aspect

Plan of the attic storey of a five-by-five-bay building, with the central three bays receding, and with a central apsidal window. There is a central light well, with apsidal-ended rooms to the north-west and south-west, and a number of further rooms forming bedchambers. To the north there is a dog-legged staircase, with a further staircase to the south-west, which is alongside a water closet

Scale

bar scale of 1 3/4 inches to 10 feet

Inscribed

Whites Chocolate House (crossed through in pencil) Bed Room Story- (all in the hand of William Adam, underwritten in pencil) / Earl of Findlater (W.L. Spiers, modern curatorial hand, pencil)

Signed and dated

c1783
c1783

Medium and dimensions

Pen and pencil within a single ruled border on laid paper (615 x 484)

Hand

Possibly
Office hand, possibly Robert Morison

Verso

no 4 / 4

Notes

SM Adam volumes 36/10-18 are incorrectly inscribed by William Adam as part of the scheme for White’s Chocolate House, St James’s Street, London.

Literature

Bolton, 1922, Volume II, pp. 103-4, Index, p. 45
Rowan, 1985, p. 138
King, 2001, Volume II, pp. 57, 102-6, 130
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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