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image SM 47/5/15

Reference number

SM 47/5/15

Purpose

[32] Designs for the pew arrangements for St John’s, Bethnal Green, 1826

Aspect

Two longitudinal and one transverse section showing the arrangement for the aisle pews, free seats, both the organ and childrens’ gallery pews for the church, and the columnar supports, windows on both nave and gallery level, the arcade of arches on the gallery level, and stairs. The latitudinal section on the right shows the main door and free seats. Above the section on the right is an extension in pen of part of the roof and base of the tower

Scale

bar scale of 2 inches to 5 feet

Inscribed

Bethnal Green Chapel XIV/25 / Section through the Centre of the Childrens / Gallery / Northside of organ) / Plaster. / Iron newel Bar / 11/4 deal Framing bead flush / and Moulded 11/4 deal Floor / 13/4 deal tongue and beading / 11/2 deal / Wainscot Handrail / Arched ceiling / Section through side Gallery &c / looking towards organ / Landing / 11/4 deal / 11/2 deal/ Section through the arch at the extremity of nave looking towards the organ. and measurements given

Signed and dated

  • January-July 1826
    The series number 14/25 means this drawing should be dated within the wider sequence and a date of the first half of 1826 seems feasible

Medium and dimensions

Pencil, pen, wash, coloured washes of brown, Cerulean blue, orange pink, red and yellow, pricked for transfer, on wove paper (725 x 527)

Watermark

SMITH & ALLNUTT / 1823

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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