Explore Collections Explore The Collections
You are here: CollectionsOnline  /  [55] Design for the east side, St John’s, Bethnal Green, London, 19 July 1826

Browse

top left corner
top right corner
bottom left corner
bottom right corner
image SM 47/5/7

Reference number

SM 47/5/7

Purpose

[55] Design for the east side, St John’s, Bethnal Green, London, 19 July 1826

Aspect

The elevation of the east side of a church shows five bays with the outlines of the footings and vaults at the bottom, two round-topped windows at the nave and five along the gallery level. Above is a wide base atop the roof surmounted by a narrower plinth, and on each corner of the roof are caps with pinecone finials

Scale

bar scale of 1 inch to 5 feet

Inscribed

Bethnal Green Chapel – VI- / Elevation of the East End / Copy / This half of the Elevation shews / the Enhance to the Vaults / should they be required. / See Basement Plan. / Ground Line / Portland Plinth / Bath Stone / York Steps / Portland Plinth / Portland / Ground Line / Portland Stone / Portland Stone / Bath Stone

Signed and dated

  • 19 July 1826
    Bethnal Green / July 19th 1826.

Medium and dimensions

Pencil, pen, wash, coloured washes of Payne’s grey, stone and yellow, pricked for transfer, on wove paper (730 x 528)

Hand

Probably Soane Office, draughtsman
Throughout July 1826 Burchell, Mocatta and Richardson were working at various points on designs for St John's, Bethnal Green.

Watermark

SMITH &ALLNUTT / 1823

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).