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You are here: CollectionsOnline  /  [2] Finished drawing for Mistley Church, c1776, as executed
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image SM Adam volume 41/64

Reference number

SM Adam volume 41/64

Purpose

[2] Finished drawing for Mistley Church, c1776, as executed

Aspect

Above- Elevation of a two-storey, three-bay building, flanked by single-bay towers as SM Adam volume 41/65, with minor alterations. The central portico omits the surmounting statuary, and has a frieze containing a central tablet and rosettes. The building frieze omits the fluting, and the tower clocks are without the festoon ornamentation Below- Plan of a three-by-two-bay building, with porticoes to the front and rear. Within, circular stairs are set in circular compartments, which flank apses set behind columnar screens. There are plans of the pews, pew boxes and the pulpit. To the left and right there are adjoining square towers, with exterior porticoes. Within the left-hand tower there is an additional stair, and within the right there is a plan of the altar

Scale

bar scale of 1 3/4 inches to 10 feet

Inscribed

Mistley Church (in the hand of William Adam)

Signed and dated

  • c1776
    c1776

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (480 x 618)

Hand

Possibly
Office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam

Verso

1 / 1

Literature

Bolton, 1922, Volume II, Index, p. 23

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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