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image SM 54/4/32

Reference number

SM 54/4/32

Purpose

[74] Design for the footings at Holy Trinity Church, Marylebone, London, 31 August 1825

Aspect

Sections of the footings for a church. The bottom section shows the thicker side wall with treads of steps interrupted by a thinner post at the centre. This design has pen markings scratching it out. Above is another section showing the clay level of the earth underneath, and an arched opening on the inside of the footing level on the left-hand side. The section at the top of the sheet shows the sand level and masonry above, and on the right-hand side the footings are reinforced at the bottom by granite

Scale

bar scale of 1 inch to 5 feet

Inscribed

Marylebone Church / Footings as proposed by Mr Soane. / Clay / Level of Ground / Level of Footpath / lay 5. Additional Steps / at 6 ½” each rise / Footings as proposed. 1st Sept. 1825 / a.a.. 4 inch York Landings 1’. 1 ½” wide / Clay / lay 4.9 / Mould &c. / Level of Footpath / made Ground / Finished surface of Earth / extra height from / level of footpath. / Hard Gravel. / Sand extra digging.. /Moulded / Level of Footpath / Finished Surface / 4 York Landing / extra / B. W. / / Sand / Granite rammed & Grouted. / “4 York Landing / Moulded / Level of Footpath / Finished Surface

Signed and dated

  • 31 August 1825, 1 September, 8 September 1825
    31 Aug 1825. / 1st Sept. 1825 / Sept. 8th. 1825.

Medium and dimensions

Pencil, pen, wash, coloured washes of brown, pink, sepia and yellow, and pricked for transfer on wove paper (523 x 255)

Hand

Probably
Soane Office Day Book for Wednesday 31 August records Slade as working on ‘Drawings Plan of Ground’ of Marylebone Church

Watermark

SMITH&ALLNUT[T] / 1823

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).