[14] Finished drawing for the gallery, Holy Trinity Church, Marylebone, London, November 1820

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Churches and chapels
  - London: Holy Trinity Church, Marylebone, designs for construction and interiors, 1820-34 (120)
    - Third variant, finished drawings for Holy Trinity Church, Marylebone, London, November 1820 (8)

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Reference number

SM 54/1/9

Purpose

[14] Finished drawing for the gallery, Holy Trinity Church, Marylebone, London, November 1820

Aspect

Plan of a church of five by nine bays. On the entrance front, the central three bays are recessed behind a colonnade of four columns. The central two columns are paired, and with a second colonnade behind. The columns are flanked by two towers containing D-shaped internal staircases. The gallery level shows the vertical arrangement of the pews, and the columns from gallery to roof, and the organ area with the choir pews. Across the nave are square and circular panels representing the compartmental ceiling. Faint pencil annotations show additional columns and pilasters along the entrance front

Scale

bar scale of 2²/₁₀ inches to 10 feet

Inscribed

Design for a Church to be erected in the Parish of St. Marylebone. / Design. No. 1. / Plan Shewing the Galleries &c / B. / Staircase / Staircase / Organ / Upper part of / Eastern Entrance / B.

Signed and dated

November 1820
John Soane / Lincolns Inn Fields / November. 1820

Medium and dimensions

Pencil, pen, red pen, wash, coloured wash of cerulean blue and yellow within a triple ruled border, and pricked for transfer on wove paper (945 x 611)

Hand

Soane Office, draughtsman
Drawing signed off by Soane

Watermark

J WHATMAN / 1820

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).