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image 65/1/23

Reference number

65/1/23

Purpose

[8] Copy of design for interior finishings to the dairy, 17 October 1789

Aspect

Copy of the plan and laid-out wall elevations in drawing 6

Scale

bar scale of 2/11 inch to 1 foot

Inscribed

The Honble Lewis Thomas Watson, section of the dairy, AA The casements in each of these windows / to open inwards // wirework on the outside // The upper pannels of the doors are to have / fly wire only and the circular heads / are to be glazed; except that over the / door into the cheese chamber which / is to have fly wire only, The four cows and four churns are / to be of plaister // The walls are to be stuccoed and the / whole finished in a plain and / useful manner, B. All these parts are to be finished with composition / that will resist the damps and the top edge is / to be beaded // The floor under the dressers is raised with one / course of bricks and paved with ten inch tiles / as is also the floor // The dressers and legs &c are to be of deal to / receive the Milk either in Wedgewood's Ware / or in leaded troughs, A (twice), B (seven times)

Signed and dated

Copy Oct 17th 1789

Medium and dimensions

Pen and grey, verdigris, blue and pink washes on laid paper (575 x 421)

Hand

Soane office

Watermark

Portal & Bridges and crowned fleur-de-lis with GR below

Literature

J. M. Robinson, Georgian Model Farms: a study of decorative and model farm buildings in the Age of Improvement, 1700-1846, 1983, pp. 92-100.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).