- Published Work: Soane/Baroque/Adam/other architects
Drawings 36 and 37 show a double-return staircase positioned on an east-west axis. Similar to Gandy's perspective drawings of the interior (drawings 39 to 44), the staircase is overlooked on all four sides by a corridor, with quarter-staircases ascending to a door to the south dressing room. The layout of the bedrooms is the same as in drawings 32 and 34, with variation in the chimney-pieces and closets.
Drawing 36 shows the ceiling designs in some of the plan. The entrance hall has pairs of columns on each wall supporting an entablature on an oval plan (see perspective in drawing 38). The principal corridor from the entrance vestibule is divided into three bays, each covered in a groin vault and separated by ornamented soffits.
As in earlier designs, (drawings 31 and 33), the washouse and servants' hall are only shown in part-plan on the left-hand side of drawing 36.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).