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  • image SM 2/9/27

Reference number

SM 2/9/27

Purpose

[33] Presentation copy of a design that includes an alternative staircase, one dated 9 August 1799

Aspect

Ground floor plan as in drawing 31

Scale

bar scale of 1/5 inch to 1 foot, approximately

Inscribed

Design for the alterations and additions to Hollwood, The Right Honble William Pitt, (upper case) servants hall, arcade, butlers room, working room, stewards room, housekeepers room, scullery, arcade, laundry, the kitchen, dry / larder, court, Mr Pitts dressing / room, lobby, water / closet (twice), lobby, library, drawing room, the eating room 15'6" high, side table (twice), lobby (twice), table, breakfast room, vestibule and dimensions given

Signed and dated

  • August 1799
    July 1799, datable to August 1799 (see Notes)

Medium and dimensions

Pen and black, grey and blue washes within quadruple-ruled black and grey washes border on wove paper (715 x 535)

Hand

Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) and Thomas Sword (pupil 1799-1804)
Thomas Sword, draughtsman
Henry Hake Seward (1778-1848, pupil and assistant 1794-1808) and Thomas Sword (pupil 1799-1804)

Watermark

J Whatman 1794

Literature

P. Dean, Sir John Soane and the country estate, 1999, pp. 176, 187-188, and P. Dean Sir John Soane and London, 2006, p. 239; J.P.W. Ehrman and A. Smith, 'Pitt, William', Oxford Dictionary of National Biography online (accessed July 2011).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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