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  • image SM Adam volume 14/116

Reference number

SM Adam volume 14/116

Purpose

[8] Finished drawing for the grand staircase, c1775, executed with minor alterations

Aspect

Section of a three-storey circular stairwell, with a domed ceiling containing a conical oculus. On ground storey there is an arched opening with a columned screen flanked by doorways with over-doors formed from oval compartments containing urns in relief. There is a curved bifurcated staircase leading to the first floor, with a niche containing a tripod and lamp at the mid-landing. On first floor there is a doorway surmounted by a fan light ornamented by a band of wreaths enclosing anthemia. This is flanked by further doorways surmounted by over-doors ornamented with trophies. Opposite all this there is a niche containing a panel with a painted scene. This is flanked by niches containing pedestals supporting urns, with further panels depicting trophies above. Above all this there is a band of figurative panels alternating with roundels. On the second storey there are balustraded, colonnaded, tripartite openings flanked by niches containing draped statuary. The domed ceiling is segmented by bands of drop calyx and ornamented with a relief of pilasters alternating with half-patera, surmounted by tripods, urns bearing festoons and anthemia. Above this there is a band of enclosed anthemia and rosettes, and festoons suspending medallions

Scale

bar scale of 3 1/2 inches to 10 feet

Inscribed

Lady Homes Staircase and some dimensions given, pencil

Signed and dated

  • c1775
    c1775

Medium and dimensions

Pen, penncil, wash and pink wash on laid paper (442 x 593)

Hand

Possibly
Office hand, possibly Joseph Bonomi

Verso

(In modern curatorial hand, pencil) XIV 116 59

Literature

Bolton, 1922, Volume II, Index p. 48
Hussey and Oswald, 1934, pp. 11-12, 26
Whinney, 1969, pp. 31, 60
King, 2001, Volume I, pp. 25, 288-89, fig. 405-06
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Original Drawings of Robert and James Adam, Kenwood House, London, 1953
Réquiem por la Escalera, Centre de Cultura Contemporània de Barcelona, 25 October 2001 - 27 January 2002
In Pursuit of Antiquity: Drawings by the Giants of British Neo-Classicism, Sir John Soane's Museum, 1 February - 1 June 2008; Tchoban Foundation Museum für Architekturzeichnung, Berlin, 3 October 2015 - 14 February 2016
Robert Adam's London, Sir John Soane's Museum, London, 30 November 2016 - 11 March 2017

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).