[63] Finished drawing for a turret room, c1763-64

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Robert and James Adam office drawings
- Country houses
  - Syon House, Brentford, Greater London: designs for the interior and the park for the 1st Duke of Northumberland, 1761-69 (69)
    - Finished drawing for a turret room, c1763-64 (2)

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Reference number

SM Adam volume 27/75

Purpose

[63] Finished drawing for a turret room, c1763-64

Aspect

Section showing the side walls in profile, and a wall elevation with a long stool as in drawing 62 set within a rectangular recess, and the walls ornamented as in Adam volume 27/74

Scale

bar scale of 1 1/2 inches to 1 foot

Inscribed

Sion (in pencil) and some measurements given

Signed and dated

1763-64
datable to c1763-64

Medium and dimensions

Pen, pencil, wash and pink wash within a single ruled border on laid paper (359 x 487)

Hand

Adam office hand, possibly Agostino Brunias

Literature

Bolton, 1922, Volume II, Index p. 28
For a full list of literature references see scheme notes.

Level

Drawing

Exhibition history

Paper Palaces: the Topham Collection as a source for British Neo-Classicism, The Verey Gallery, Eton College, 16 May - 1 November 2013

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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