[7] 'Design No 3' for alterations to the staircase showing the galleries of communication

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Treasury Building, Whitehall: surveys and designs for alterations to the staircase, 1818 (7)

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Reference number

SM 37/2/21

Purpose

[7] 'Design No 3' for alterations to the staircase showing the galleries of communication

Aspect

Plan of the proposed Alteration of the Staircase at the Treasury / Shewing the Two Galleries of Communication

Scale

bar scale of 3/8 inch to 1 foot

Inscribed

as above, labelled: Entrance to the Commissariat / Department, Gallery from the Mezzanine Floors to the Commissariat / Department, steps numbered and some dimensions given

Signed and dated

29 January 1818
Lincolns Inn Fields / Jan^y 29 1818

Medium and dimensions

Pen, sepia and yellow ochre washes, pricked for transfer within double ruled and sepia wash border on wove paper with one fold mark (574 x 752)

Hand

Soane Office

Watermark

J Whatman

Notes

'Design No 3' has two parts (drawings [6] and [7]). The stairs lead from the level of the hall to a gallery of communication across the west side of the room. Leaving this gallery from either end and then turning eastwards brings the subject to another gallery on the east side of the hall that provides access to Dorset House (on drawing [7]).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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