[9] Design for a pedestal for the hall, c1761-62, as executed

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Robert and James Adam office drawings
- Country houses
  - Syon House, Brentford, Greater London: designs for the interior and the park for the 1st Duke of Northumberland, 1761-69 (69)
    - Preliminary design and designs for pedestals for the hall, c1761-62, Adam volumes 49/47-49 as executed (4)

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Reference number

SM Adam volume 49/49

Purpose

[9] Design for a pedestal for the hall, c1761-62, as executed

Aspect

Elevation of a pedestal, with a central rosette enclosed by a wreath, and a band of festoons and rosettes, a band of egg and dart, and a band of acanthus leaves

Scale

bar scale of 2 3/4 inches to 1 foot

Inscribed

Tables for Inscription Unknown (underwritten in pencil and in the hand of William Adam) / (and in pencil in the hand of Arthur Bolton) ? Sion House / Pedestal in Hall

Signed and dated

1761-62
datable to c1761-62

Medium and dimensions

Pen, pencil and wash on laid paper (306 x 479)

Hand

Adam office hand, possibly Agostino Brunias, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 28
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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