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  • image SM Adam volume 39/3

Reference number

SM Adam volume 39/3


[2] Design for the hall, 1761, executed with alterations


Plan and laid out wall elevations as Adam volume 27/35, but with a sculpted figurative group in place of the chimneypiece in the apse


bar scale of 1/4 inch to 1 foot


SECTION of the GREAT HALL of SION HOUSE in MIDDLESEX One of the SEATS / of The Right Honble The Earl of Northumberland and some measurements given (verso) 3 / Syon Hall / Syon H[all]

Signed and dated

  • 1761
    Robt Adam Architect 1761

Medium and dimensions

Pen and wash within a single ruled border on laid paper (842 x 643)


Adam office hand, possibly Agostino Brunias


Bolton, 1922, Volume II, Index p. 28
Stillman, 1966, p. 63
Beard, 1978, p. 43
For a full list of literature references see scheme notes.



Exhibition history

Original Drawings of Robert and James Adam, Kenwood House, London, 1953

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).