[2] Design for a chimneypiece for the round drawing room, 1766

Explore Collections

You are here: CollectionsOnline / [2] Design for a chimneypiece for the round drawing room, 1766

Browse

Robert and James Adam office drawings
- Country houses
  - Strawberry Hill, Twickenham, Middlesex: designs for the round drawing room and a rustic cottage for Horace Walpole, 1766-68 (9)
    - Designs for a chimneypiece for the round drawing room, 1766, unexecuted (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 22/227

Purpose

[2] Design for a chimneypiece for the round drawing room, 1766

Aspect

Elevation of a chimneypiece, with spirally fluted column stiles and acanthus capitals; flanking an architrave ornamented with guilloche enclosing rosettes, and lozenges; around a cusp-shaped lining supported by small engaged spirally fluted columns, and ornamented with panels of rosettes, and with calyx in the spandrels; and with a frieze ornamented with square and rectangular compartments containing lozenges and guilloche, enclosing medallions and rosettes, and with an ornamental mantel

Scale

bar scale of 2 inches to 1 foot

Inscribed

Chimney Piece for the Honble Horace Walpole

Signed and dated

1766
1766

Medium and dimensions

Pen, pencil and wash on laid paper (407 x 321)

Hand

Possibly
Adam office hand, possibly William Hamilton or Giuseppe Sacco

Literature

Bolton, 1922, Volume II, Index p. 29
Beard, 1976, p. 46
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).