[2] Finished drawing for the first floor of the prison, 1771

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Robert and James Adam office drawings
- Public buildings
  - Bath Prison, Grove Street, Bath, Somerset, unexecuted designs commissioned by William Pulteney, 1771 (2)
    - Finished drawings showing plans for the prison, 1771, unexecuted (2)

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Reference number

SM Adam volume 38/11

Purpose

[2] Finished drawing for the first floor of the prison, 1771

Aspect

Plan of the first storey of a U-shaped building, containing rectangular prison rooms, with a connecting corridor along each short end of the central court

Scale

bar scale of 1 7/8 inches to 10 feet

Inscribed

Plan of the One pair of Stairs Story. of the new Prison at Bath / for William Pulteney Esqr (of the new Prison at Bath / for William Pulteney Esqr in the hand of William Adam and underwritten in pencil) / Men debtors / Closet / In the Power of the Keeper. / In the Power of the Keeper. / In the Power of the Keeper. / In the Power of the Keeper. / In the Power of the Keeper. / Vagrants & Petty Offenders / Vagrants / Women Debtors and some measurements given (verso) 4 / 5 number 5

Signed and dated

February 1771
Febry 1771.

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (525 x 374)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonom, with addition to title inscription in the hand of William Adam

Watermark

IVILLEDARY IHS

Literature

Bolton, 1922, Volume II, Index p. 3
King, 2001, Volume II, p. 53
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).