[18] Finished drawing for an overmantel mirror frame for the octagonal room, 1777

Explore Collections

You are here: CollectionsOnline / [18] Finished drawing for an overmantel mirror frame for the octagonal room, 1777

Browse

Robert and James Adam office drawings
- Town houses
  - London
    - Charlotte Street, number 9 (later 4 Bloomsbury Street), London: interior decoration and furnishings for George Keate, 1772-78 (22)
      - Preliminary design and alternative finished drawings for a chimneypiece and overmantel mirror frame for the octagonal room, 1777; it is not known if this design was executed (3)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 20/198

Purpose

[18] Finished drawing for an overmantel mirror frame for the octagonal room, 1777

Aspect

Elevation of a rectangular, segmental-headed overmantel mirror frame, ornamented with a border enclosed anthemia, and in the segmental head there is an urn flanked by half putti, with a border composed of a fan containing enclosed rosettes and calyx

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

Glass frame over Octagonal room Chimney for George Keate Esqr.

Signed and dated

1777
datable to 1777

Medium and dimensions

Pen, pencil, wash and coloured washed including yellow ochre and cerulean blue on laid paper (298 x 448)

Hand

Adam office hand, possibly Joseph Bonomi

Watermark

JWHATMAN

Literature

Bolton, 1922, Volume II, Index p. 36
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).